London, British, Modern Restaurant Guide

“More like the Elysian fields!”: Taylor Bonnyman’s “congenial” but “unpretentious” Chelsea HQ (founded in 2013) doesn’t court publicity, but emerged with the survey’s highest food rating this year. With its “sophisticated” interior, “spectacular wine list” and “wonderful” service – “impeccably timed, professional, yet warm” – it’s long been hailed as an “outstanding all-rounder”. But it has hit a particularly impressive and consistent culinary stride in recent times, with not a single negative report received this year (and we received many reports). Head chef, Marguerite Keogh “strives for perfection, and the care and attention to detail of ingredients processed and plated is second to none”, delivering “divinely flavoured dishes” in a mould that’s “classic in style, but very modern in execution” – “witty and inventive, without being up itself or over-fussy”. Much of the produce is sourced from the restaurant’s own garden in East Sussex. Choose at lunch or dinner from a prix fixe three-course menu or alternative tasting option.

“Smooth-running and elegant” – the recently-adopted, more modern and svelte style of operation (no tablecloths, and a new central bar for counter-style dining) is suiting this Roux-branded dining room: part of a luxurious five-star hotel, opposite Broadcasting House. Despite the harder-edged look, the ambience remains “delightful” and the cuisine is “first class”, with the option of eating à la carte, or from the six-course tasting menu. “Spot-on service”, in particular, featured in numerous reports this year.

“Consistently lovely food” over the past 10 years has earned an ecstatic, if limited, foodie following for low-key chef William Drabble, who “remains a hit in the kitchen rather than on the TV screen”. The “cosy” and “romantic” dining room of this hideaway luxury hotel in St James’s also benefits from “cute, quirky decor and friendly, helpful staff”.

“Outstanding in every way”, say fans of Marcus Wareing’s calm Belgravia temple of gastronomy: “a big room, where the setting of each table feels very private”, and where the “expertly crafted and seasonal” cuisine (under chef patrons, Mark and Shauna Froydenlund) is, they feel, “expensive, but oh-so-worth it”. For a large minority, though, its “daft” prices defy comprehension, and those who remember the era when Marcus himself was more regularly at the stoves feel that “compared with ten years ago, it’s not a patch on what it was”.

A “lovely location” with “great views” across the meat market to the City is reason enough to visit this top-floor venue, with a menu that focuses unsurprisingly on red meat. There’s a “good atmosphere, with tables not too close together”, which makes it a top choice for City-fringe business lunches. The “fixed-price steak and Malbec is great value for money”.

Fans of the Galvin Bros’ regime at this luxurious five-star hotel near Hyde Park Corner still applaud it as a “solid, nice and efficient” option, whose “good-value set deals” add to its possibilities as a “glam lunch venue”. Its ratings took a major hit this year, however, with too many reports of “complete disappointment” and “no generosity over the pricing” – at present it‘s “really not up to the standards of their other ventures”.

“Still peerless as a neighbourhood restaurant delivering exquisite, modern French cuisine” – Bruce Poole’s immaculate “mainstay of South West London”, by distant Wandsworth Common, is – for the 15th year in succession – the survey’s No. 1 favourite restaurant, and “well worth the trip south of the river”. “Whether you are going for a celebratory meal, or just a casual lunch or supper”, “its consistency is astonishing, and comes at fabulously reasonable prices” (especially given the “little extra touches like Parmesan biscuits at the beginning of a meal, and chocolate truffles and palmiers at the end”). “What’s brilliant about the seasonal cooking is its perfect, pure – not gastronomic – tastes and palate: classics are flawlessly cooked, and there is innovation without it being bound in any way to the latest fads and fashions”. And “although there must be heaps going on behind the scenes, the set-up manages to be effortlessly elegant in an unpretentious style that feels like it comes easy to them”, with “engaging” staff who are “professional without being obsequious”. IF there’s a gripe, it’s that the “bright and compact” room that most reporters feel is “delightful” and “fitting for pretty much any occasion” (especially a romantic one) is, for a small minority, too “cramped” and un-fancy.